Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This year marks the centenary of the birth of Shura Cherkassky (he died in 1995). These two releases are timely...
Reviewed by Jeremy Nicholas in issue: 8/2009
Christopher Rouse (b1949) is one of the more genuinely individual composers working in today’s American mainstream. Having incorporated elements of...
Reviewed by David Gutman in issue: 6/2004
These two new versions of a much-recorded symphony could hardly be more sharply contrasted. Where Kondrashin's live recording made on...
Reviewed by Edward Greenfield in issue: 6/1984
The foundations for Janacek’s Glagolitic Mass go down deep into old Slavonia. The churches and cathedrals have not yet been...
Reviewed by Edward Seckerson in issue: 1/1999
Now relegated by the dictates of musical fashion and Wagnerian hegemony to brief or absent entries in reference books, Henri...
Reviewed by Jeremy Nicholas in issue: 10/2011
The particular quality of the textures in Mozart's late chamber music—contrapuntal isn't quite the word for it, as it goes...
Reviewed by Stanley Sadie in issue: 2/1994
A new recording of the original Grofe scoring of Rhapsody in B1ue, made for the first performance with Paul Whiteman's...
Reviewed by Ivan March in issue: 9/1987
As the principal exporter of a steady stream of distinguished conductors, Finland has much to be proud of. The wonder...
Reviewed by David Gutman in issue: 3/2011
Harty was responsible for two premieres of the Walton First Symphony. He conducted the unfinished version comprising three movements in...
Reviewed in issue 12/1993
This is an enchanting programme of chamber music by the youngest son of J. S. Bach, Johann Christian. Two of...
Reviewed by Nicholas Anderson in issue: 5/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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