Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
After hearing these lively and in some respects provocative performances it’s easy to understand why the American Miró Quartet (recipients...
Reviewed by Rob Cowan in issue: 11/2005
Volume 28 in Hyperion’s absorbing series‚ The Romantic Piano Concerto‚ unearths two gloriously worthwhile rarities in superb performances. To briefly...
Reviewed in issue 6/2002
For the first Vienna performance of the Mass in C—at what you might call a modest little divertissement which also...
Reviewed by Lionel Salter in issue: 11/1987
In February I reviewed the Keller's account of these two quartets and noted that there are nearly 20 versions of...
Reviewed by Christopher Headington in issue: 4/1995
Lutoslawski's Third Symphony was commissioned by the Chicago SO and first performed by them under Solti in 1983, but only...
Reviewed by Arnold Whittall in issue: 8/1993
This is an imaginative coupling of two major figures in black American music. A modern recording of the Still is...
Reviewed by Peter Dickinson in issue: 4/1993
In spite of being among the most popular of the world's piano trios, Dvorak's Dumky Trio is by no means...
Reviewed in issue 5/1986
The best playing on this disc occurs in the Third Quartet's elegiac slow movement, where echoes of Russian Orthodox chanting...
Reviewed in issue 4/1994
How can it be that the only piano concerto by a pianist-composer of the standing of Taneyev has never previously...
Reviewed by David Fanning in issue: 5/2007
Most ‘Portrait’/’Best of’ albums present a limited view of their subjects, drawing only on recordings made for the company issuing...
Reviewed by kYlzrO1BaC7A in issue: 4/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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