Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Austrian broadcasting company ORF is issuing an impressive series of early music recordings, the repertoire almost always remarkably obscure....
Reviewed by David Vickers in issue: 4/2007
In an informative note, Barry Tuckwell explains how he sought (and was refused) permission to record more Strauss juvenilia than...
Reviewed in issue 9/1992
There is not a great deal to add to what I wrote when reviewing the LP version, except to say...
Reviewed by Alan Blyth in issue: 2/1987
As a disc to go out and buy, this is surely for specialist collectors and ex-groupies only. Other admirers of...
Reviewed by Stephen Plaistow in issue: 10/1996
With the rise of Billy Mayerl, further fine syncopated pianists are emerging. The South African-born, classically trained da Costa died...
Reviewed by Peter Dickinson in issue: 13/1998
To the sound of a distantly tolling bell, singing men open this intriguing disc with the medieval Vespers’ Hymn celebrating...
Reviewed by Marc Rochester in issue: 8/2003
The opening, threefold flourish of the Emperor Concerto has always seemed to me the herald of a work of huge,...
Reviewed by Stanley Sadie in issue: 4/1990
Collectors with designs on the completest possible Zemlinsky will want this disc, but I don't feel that most of the...
Reviewed by Arnold Whittall in issue: 12/1991
All these recordings, dating from 1964 to 1967, appear on general release for the first time, with the Liszt A...
Reviewed by Bryce Morrison in issue: 6/2000
In his recently published Working with Bernstein (10/10), Jack Gottlieb includes extracts from the journal he kept during the New...
Reviewed by David Gutman in issue: 12/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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