Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you need evidence of Enescu’s intellectual integrity, consider the case of his second piano sonata, which although locked away...
Reviewed by Rob Cowan in issue: 6/2006
This human and surprisingly modern reworking of the myth of girl turned into laurel tree is Strauss’s Parsifal, a late...
Reviewed by Mike Ashman in issue: 3/2006
The sight of Mars as Napoleon and Terpsichore as a caricature of Ninette de Valois raised quite a few laughs...
Reviewed by hfinch in issue: 4/1987
The opening bars of Bridge's Trio, where violin and cello unite in passionate lament while the piano offers chilling, remote...
Reviewed in issue 4/1987
These recent works demonstrate a certain expansion in Pärt’s horizons (a tendency confirmed by first reports of his Fourth Symphony,...
Reviewed by David Fanning in issue: 5/2009
Evgeny Svetlanov was in a class of his own when it came to conducting Rachmaninov, seeming to have natural instincts...
Reviewed by Geoffrey Norris in issue: 1/2010
The accompanying note to this disc refers to the ‘fascinating debate’ of onevoiceperpart Bach as something of a raison d’être...
Reviewed in issue 10/2001
The appreciative essay on Mirella Freni which accompanies this record describes the 1970s as the soprano's golden years and adds,...
Reviewed in issue 2/1990
Francoise Lengelle's most appealing recording of unpublished pieces by Chambonnieres has changed my view of harpsichords on CD. The immediacy...
Reviewed in issue 9/1987
The partnership of Serkin and Abbado in Mozart is a fascinating one. They are such different musical personalities, yet they...
Reviewed by Ivan March in issue: 9/1983
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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