Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When Nielsen's music to Adam Oehlenschlager's Aladdin appeared (Chandos, 5/93) it brought to light almost an hour's unfamiliar Nielsen along...
Reviewed by Robert Layton in issue: 3/1995
Just over a couple of years ago I was most pleasantly surprised by a Naxos CD offering suites from three...
Reviewed by Andrew Lamb in issue: 7/1998
The Romantic, quasi-orchestral approach to the organ by these European composers gives ample opportunity to savour the many colours of...
Reviewed by Christopher Nickol in issue: 4/2003
If you think of Gluck exclusively as a purveyor of the exalted, serene, classical emotions of an Orfeo or Iphigenie...
Reviewed by Stanley Sadie in issue: 10/1991
For her second two-CD Haydn album Ragna Schirmer ventures far from the beaten track, imaginatively interspersing substantial and familiar masterpieces...
Reviewed by Bryce Morrison in issue: 7/2008
Antonio Sacchini (1730–86) was one of the leading opera composers of his day, with a career that took him along...
Reviewed by Stanley Sadie in issue: 1/1995
Jan Vaclav Vorisek was a highly talented Bohemian who went to Vienna, first as civil servant, then as court organist;...
Reviewed in issue 6/2001
Eva is based on a play by Gabriela Preissova; her next was the subject of Janacek’s Jenufa. In common are...
Reviewed by John Warrack in issue: 10/1996
I've been listening to the LP and I shall be curious to see if my impressions are modified when the...
Reviewed by Stephen Plaistow in issue: 2/1986
It is obviously convenient to have all Ravel's music for violin and piano together on one LP like this; the...
Reviewed in issue 7/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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