Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Like the disc of music by Grazyna Bacewicz which I reviewed in August, this one demonstrates her considerable strengths as...
Reviewed by Arnold Whittall in issue: 12/1993
Volume 4 continues Seta Tanyel’s delightful odyssey through the piano works (including concertos and chamber music) of Xaver Scharwenka, as...
Reviewed by Bryce Morrison in issue: 8/1996
With this, Meredith Monk's latest record and one of her most substantial pieces, a number of questions have to be...
Reviewed by kshadwick in issue: 10/1993
More Oranges to throw tomatoes at. Once again the designer and costumier have a field day - in this case...
Reviewed by David Fanning in issue: 2/2008
This Italian-led recording is a live concert performance from the Ravenna Festival and combines indigenous ‘period’ instrumentalists with a group...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2004
Here is superlative woodwind and horn playing, kept in perfect balance (rare, and difficult for that particular combination) by a...
Reviewed in issue 9/1987
A collectors's item today, Joachim Raff's Third Symphony Im Walde (1869) was immediately hailed as a masterpiece and with the...
Reviewed by Richard Wigmore in issue: 10/1992
One day I expect Leon McCawley to join the ranks of the acclaimed few we go to hear in complete...
Reviewed in issue 13/2001
Liadov’s musical output was slender, simply because (like a musical version of Goncharov’s Oblomov) he was too idle to get...
Reviewed by John Warrack in issue: 12/1997
From the 1940s until the early 1960s one of the greatest of regular British musical events (every bit as important...
Reviewed by Ivan March in issue: 12/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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