Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Kirkpatrick was one of the leading lights of the harpsichord world during my childhood and adolescence, and I suppose I...
Reviewed by Nicholas Anderson in issue: 3/2000
Many issues offer the coupling of Capriccio italien, the 1812 Overture and Marche slave, three of Tchaikovsky’s most popular works,...
Reviewed by Edward Greenfield in issue: 11/2003
The suite from Khachaturian's incidental music for The Widow of Valencia is a real find and one wonders why it...
Reviewed by Ivan March in issue: 3/1994
The recording of Schumann songs is becoming a serious industry. Following CDs from Hampson (EMI, 10/97), Keenlyside (Hyperion, 3/98), and...
Reviewed by Alan Blyth in issue: 5/1998
Edward Greenfield greeted this disc with much enthusiasm when it appeared on LP in 1984, and I echo, if not...
Reviewed by Michael Stewart in issue: 3/1993
The real discovery here is Strauss's 15-minute-long, wholly neglected ''Notturno'', a narrative with orchestra to a poem by Richard Dehmel....
Reviewed by Alan Blyth in issue: 8/1994
Robert Docker is pro-bably best known as a composer of film music (including a contribution to Chariots of Fire). His...
Reviewed by Ivan March in issue: 9/2000
From the opening notes of the B minor Choral it is clear that we are in the right environment for...
Reviewed in issue 10/1984
Leclair's Op. 13 is an impressive publication dating from 1753. It contains three ouvertures and three trio sonatas skilfully written...
Reviewed by Nicholas Anderson in issue: 12/1993
Echo et Narcisse, Gluck's last opera, was a failure on its premiere in Paris in 1779, and has never been...
Reviewed by Stanley Sadie in issue: 11/1988
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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