Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Waiting Room has been biding its time, waiting for a general release since it was premiered at the 2007...
Reviewed by Adrian Edwards in issue: 11/2008
Good heavens!, I hear you cry, what need for more Schwarzkopf when there’s already a heap of her recordings available,...
Reviewed by Alan Blyth in issue: 6/1999
With this third disc the BBC Philharmonic complete a fine survey of Karlowicz’s orchestral music (excepting the Violin Concerto, recorded...
Reviewed by David Fanning in issue: 1/2006
The earliest of Korngold's Einfache Lieder ( ''Simple Songs'') were written when he was 14, and you can easily hear...
Reviewed by Michael Oliver in issue: 7/1985
''Legendary Song Cycle Recordings'' is the misleading title of this oddly fashioned disc. I cannot believe that Lehmann's Frauenliebe, for...
Reviewed by Alan Blyth in issue: 11/1994
Isn’t it odd to lump Handel with Haydn? Not for Haydn who, like Beethoven, thought Handel the greatest composer of...
Reviewed by Nalen Anthoni in issue: 13/2009
Rossinians must count themselves lucky as they are showered with more and more goodies both in the opera-house and on...
Reviewed by Alan Blyth in issue: 13/1998
It was a clever idea to put together an all-Mozart disc which comprises an early solo performance by Dennis Brain,...
Reviewed in issue 11/1992
This collection draws the eye by its title: The evening watch, an unaccompanied eight-part motet for mixed choir with two...
Reviewed by Ivan March in issue: 1/1990
Karajan's earlier DG recording has long held sway and up to now would be my preferred ver-sion in spite of...
Reviewed by Robert Layton in issue: 8/1984
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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