Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Rolf Smedvig, born in Seattle, made his debut with that city's Symphony Orchestra at the age of 13, and went...
Reviewed by Ivan March in issue: 8/1990
Anne Akiko Meyers, of Japanese and American parentage, here convincingly brings together the worlds of French music at its finest...
Reviewed by Edward Greenfield in issue: 12/2003
A curious, fascinating, if not entirely satisfying disc. Of the two contemporary Mozart arrangements, the recasting (by F. J. Rosinack...
Reviewed by DuncanDruce in issue: 4/1999
The Purcell Quartet's much acclaimed Corelli trio sonata recording project is taking on some of the elements of a saga....
Reviewed in issue 12/1992
After years of neglect by the big record companies, close on the heels of Susan Graham’s recital of Ned Rorem’s...
Reviewed in issue 9/2000
Although recorded on three separate occasions, and with different accompanists, this programme is fairly typical of the recitals that Dame...
Reviewed in issue 11/2000
When Hans von Bülow described the Requiem as “Verdi’s latest opera, albeit in ecclesiastical garb”’, the ever percipient Brahms declared...
Reviewed by Richard Osborne in issue: 10/2009
The plum in this pie is Delilah’s first solo, “Printemps qui commence”. If that were extracted, Jack Horner fashion, not...
Reviewed in issue 5/1992
Hard on the heels of a disciplined, and often suave Phoebus and Pan (No. 201) comes a further volume of...
Reviewed by Jonathan Freeman-Attwood in issue: 2/1998
Here is a soprano, apparently in her youthful prime, gifted with a warmly sympathetic voice and feelings to match; the...
Reviewed by John Steane in issue: 9/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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