Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This reissue of the 30-year-old recording of the two Rawsthorne piano concertos is up against tough recent competition. I admired...
Reviewed by Peter Dickinson in issue: 7/2007
With his cultivation of the string quartet and symphony, Holmboe, more than anyone, followed Haydn’s example of creating works outwardly...
Reviewed by Guy Rickards in issue: 1/2010
Only last March I praised another young baritone, Jochen Kupfer, in this cycle. That was a full-price version of this...
Reviewed by Alan Blyth in issue: 2/2004
The rise of vocal ensembles in Eastern Europe is one of the most promising developments of recent years. The all-male...
Reviewed by Fabrice Fitch in issue: 10/1999
Edward Johnson’s useful notes seek to portray Stokowski as “one of the foremost interpreters of a great twentieth-century composer”, but...
Reviewed in issue 12/1996
On this occasion, it is the octogenarians who have it. Blomstedt’s account of the Ninth is clear and methodical in...
Reviewed by Richard Osborne in issue: 13/1999
Biber's 15 Mystery Sonatas were composed in about 1678 and dedicated to his employer the Archbishop of Salzburg. Each sonata...
Reviewed by Nicholas Anderson in issue: 5/1991
Those who’ve heard Vilde Frang’s EMI recording of Sibelius and Prokofiev concertos (4/10) will be keen to sample this. For...
Reviewed by DuncanDruce in issue: 5/2011
We don’t hear much French orchestral music of the late 18th century‚ and this CD offers a welcome glimpse of...
Reviewed in issue 8/2002
An interesting if not indispensable addition to the Rimsky-Korsakov discography. Night on Mount Triglav is compiled from the Third Act...
Reviewed by Ivan March in issue: 11/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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