Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a tough, unvarnished reading rather in the vein of the 1957 Fricsay (DG), which I reviewed in May....
Reviewed by Alan Blyth in issue: 7/1993
Having recorded a major part of Rachmaninov’s piano music, Ashkenazy continues with the piano transcriptions, a cornucopia of teasing sophistication...
Reviewed by Bryce Morrison in issue: 12/2002
Sebastien de Brossard is primarily noted as a distinguished collector of music, urbane priest and the compiler of the first...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2000
For much of its early history Italian opera is little more than the history of the libretto. The repertory itself...
Reviewed by Iain Fenlon in issue: 1/1999
Liszt – a shrewd and generous critic – saw Schubert as “the most poetic of all composers”. Such brief tribute...
Reviewed by Bryce Morrison in issue: 9/1996
Sometime in 1944, towards the end of the Second World War, Swiss Radio approached Frank Martin with a commission for...
Reviewed by Robert Layton in issue: 8/1996
At the opera Liszt is well-known, as two discs in Leslie Howard's mammoth cycle have already reaffirmed. At the theatre,...
Reviewed by Joan Chissell in issue: 3/1993
Anton Zimmermann (1741-81) spent his career as an organist and composer in cities across the areas we now know as...
Reviewed by David Vickers in issue: 11/2006
This, the first new record from the Leningrad Philharmonic to appear for some time, was made in Dublin last October....
Reviewed by Robert Layton in issue: 1/1988
About six years ago, the Centre de Musique Baroque de Versailles, with the support of Radio France, joined forces with...
Reviewed by Nicholas Anderson in issue: 2/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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