Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This disc is notable both for its programme and execution. Stephanie Blythe impressed me greatly in a recital of Baroque...
Reviewed by Alan Blyth in issue: 2/2005
Programmes devised round a single manuscript often contain a selection of short pieces. This one presents two complete Masses from...
Reviewed by Fabrice Fitch in issue: 3/1997
These piano duets demand virtuosity, which they get in exuberant performances here. The Grand Duo is a proper virtuoso piece,...
Reviewed by John Warrack in issue: 12/1994
The Russian pianist Sergei Dukachev may not be a familiar name – although he has made numerous recordings for the...
Reviewed by Tim Parry in issue: 1/2003
In the 1950s these recordings would have given a very up-to-date impression, I imagine; the playing is extremely clean –...
Reviewed by DuncanDruce in issue: 12/2000
We know more about Tchaikovsky’s turbulent emotions from his Fourth Symphony than from any other of his works because he...
Reviewed by Ivan March in issue: 2/2006
Gergiev’s Shostakovich is rarely the kind of hyper-intense experience communicated by his great Russian forebears – Mravinsky, Kondrashin, Svetlanov and...
Reviewed by David Fanning in issue: 13/2009
The set as a whole presents a good variety of texture, pace, mood and key (14 of the 21 Scarlatti...
Reviewed by John Duarte in issue: 1/1986
‘The Norrington Nine’ sounds vaguely seditious, which is how I imagine Sir Roger would wish it to sound. Seventy next...
Reviewed by Richard Osborne in issue: 8/2003
It was a good idea to place together music for violin and orchestra by these three composers who, with Haydn,...
Reviewed by Christopher Headington in issue: 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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