Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a highly educational record, but don't let that put you off, for it is also highly entertaining. Alan...
Reviewed in issue 8/1983
Centenary tributes such as this are all well and good, but doesn't a great recording like Constantin Silvestri's 1967 In...
Reviewed in issue 9/1993
These recordings dating from 1955-69 and taken from the West German Radio Archives celebrate the artistry of Géza Anda whose...
Reviewed by Bryce Morrison in issue: 8/2008
If, by any chance, you should think that with another disc of French seventeenth-century church music from Les Arts Florissants...
Reviewed by Lindsay Kemp in issue: 6/1994
The return of the Arditti Quartet to the Wigmore Hall for the first time in more than two decades was...
Reviewed by Arnold Whittall in issue: 10/2005
You might wonder at the opening of the Villa-Lobos 7th Symphony (with its explosion of contrary-motion glissandi from a huge...
Reviewed by Ivan March in issue: 8/2004
Sullivan’s take on Scott’s epic historical novel was his bid to escape the shackles of popular musical theatre and Gilbertian...
Reviewed by Andrew Lamb in issue: 3/2010
It’s possible that the most dramatic passages in Liszt’s last major ‘work in progress’ were the ones he never got...
Reviewed by Stanley Sadie in issue: 10/2004
By coincidence‚ just before hearing this disc I chanced upon Stan Kenton’s allWagner LP from the 1960s (STO2217). ‘File under...
Reviewed in issue 9/2001
It would be difficult to find an odder Beethoven cycle than this. A mish-mash of Berlin Philharmonic and Bavarian RSO...
Reviewed by Richard Osborne in issue: 6/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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