Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A perfect introduction to this headstrong American voice. The composition dates take us from 1936 to 1989—not quite the whole...
Reviewed by Edward Seckerson in issue: 4/1993
Following up the success of the Chandos recording of Dyson’s big cantata, Quo Vadis (6/03), comes this excellent disc of...
Reviewed by Edward Greenfield in issue: 10/2003
When this famous set came for review, in a reissue on World Records (12/73—nla), I wrote that certain old recordings,...
Reviewed in issue 4/1993
On four incredibly busy, surely taxing, days in June 49 years ago, Astrid Varnay recorded an appreciable tranche of her...
Reviewed by Alan Blyth in issue: 11/2003
For a while now, Bach's wedding cantata, Weichet nur, betrubte Schatten has been ascribed to the composer's years at Weimar...
Reviewed by Nicholas Anderson in issue: 2/1989
This is music that in any half decent performance (and Dohnanyi's is considerably more than that) has you fervently wishing...
Reviewed by John Steane in issue: 12/1990
Writing in the booklet accompanying this record, the Uruguayan composer and conductor Jose Serebrier (b. 1938, and a protege of...
Reviewed by rgolding in issue: 10/1993
The disc contains 24 items, but of the 42 in Robert Dowland’s anthology of 1610 Dowland contributed only seven, not...
Reviewed by John Duarte in issue: 3/1997
Tamas Vasary had only just entered his thirties when recording the two Chopin concertos in the 1960s. I was delighted...
Reviewed by Joan Chissell in issue: 6/1990
Of the comparisons above Herrick is too effervescent for my taste. These are short pieces, some lasting well under a...
Reviewed by Marc Rochester in issue: 1/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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