Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Lots of pianists seem to be recording Szymanowski at the moment, but Mikhail Rudy has his own way with this...
Reviewed by Michael Oliver in issue: 10/1996
Hearing this after immersing myself in the Emerson Quartet’s Beethoven cycle, I was struck by how different these two highly...
Reviewed by DuncanDruce in issue: 13/1997
Of the different versions which Haydn made of his unique devotional sequence of Adagio movements, the purely orchestral one presents...
Reviewed by Edward Greenfield in issue: 3/2001
York Bowen (18841961) has been unlucky. He was a prodigy arriving at the Royal Academy at the age of 14...
Reviewed in issue 3/2002
Dvorák’s wonderful Requiem differs from the major Masses of Haydn, Mozart, Beethoven, Verdi and Brahms in at least one significant...
Reviewed by Rob Cowan in issue: 7/2010
Do you prefer to hear the first chord of Metamorphosen played by five cellos and one double-bass, or by two...
Reviewed by Arnold Whittall in issue: 13/1999
Volume 2 of Pierre-Alain Volondat’s odyssey through Faure’s complete piano music admirably illustrates a journey from early radiance to a...
Reviewed by Bryce Morrison in issue: 5/1998
This is not another recording of Mozart's Requiem. The version here takes the rejection of Mozart's pupil Sussmayr two steps...
Reviewed by Stanley Sadie in issue: 11/1992
Decidedly superior easy listening from Itzhak Perlman, immaculately partnered by John Williams and his smooth-as-silk Bostonians. Williams and Angela Morley...
Reviewed by Andrew Achenbach in issue: 9/1999
A logical coupling on LP—from Morton Gould's pioneering stereo recording (RCA, 10/68) to Bernard Haitink's early 1980s Decca pairing (subsequently...
Reviewed in issue 10/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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