Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Chopin’s Waltzes are sophisticated idealisations of a popular form. Their deliberate artificiality and conversational brio are of another age, presenting...
Reviewed by Bryce Morrison in issue: 2/2005
This fine recording of Carmina Burana conducted by Kurt Eichhorn‚ recorded in 1975 with the composer attending the sessions and...
Reviewed in issue 10/2002
The focus of Ars Musica Brussels 2004 was on two composers with whom Kazushi Ono had worked previously. Wolfgang Rihm...
Reviewed by kYlzrO1BaC7A in issue: 6/2005
The Wolf's Glen is in every sense at the centre of Der Freischutz—structurally (replacing the so-called central finale), tonally (composed...
Reviewed by John Warrack in issue: 7/1991
Everybody knows that Mozart left his Requiem unfinished when he died on December 5th, 1791, and that his widow Constanze...
Reviewed by rgolding in issue: 9/1984
Herman David Koppel (1908-98) wrote seven symphonies in all, but only the Fifth (1955) achieved even a toehold in the...
Reviewed by Guy Rickards in issue: 8/2003
A Sei Voci seem to become a more interesting and skilled group with every record. They have learned much from...
Reviewed by David Fallows in issue: 5/1996
Naxos's first issue in Jeno Jando's complete edition of Haydn's piano sonatas is particularly welcome. Sadly, John McCabe's excellent Decca...
Reviewed in issue 6/1994
Conifer deserve to do well with this—a coupling as enterprising as it is entertaining. On the one hand we've the...
Reviewed by Edward Seckerson in issue: 8/1989
In every respect, this is superb: a 'must'. I recently listened to DG's historic issue of VPO Johann Strauss ((CD)...
Reviewed by Alan Blyth in issue: 4/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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