Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The inlay of this latest instalment in Naxos’s American Classics series proclaims it as the first in a projected Harris...
Reviewed by David Gutman in issue: 7/2006
The complete version of Il barbiere from which these highlights are taken was for me the most enjoyable new opera...
Reviewed by Edward Greenfield in issue: 3/1985
Margaret Fingerhut has mastered the technical problems posed by Grieg's Piano Concerto, but the work's poetry and feeling elude her....
Reviewed in issue 9/1990
The LSO Live series goes from strength to strength. Here is a new version of La damnation de Faust which...
Reviewed in issue 7/2001
DG released this centenary concert on CD last year, warmly welcomed by Richard Osborne (A/00). I must admit I was...
Reviewed by mscott rohan in issue: 4/2001
Whoever was responsible for deciding the layout of this recital missed the chance for arranging the music in order of...
Reviewed by Alan Blyth in issue: 3/1989
Anne Akiko Meyers is a new name to me and I must say I like what I hear. The Barber,...
Reviewed by Edward Seckerson in issue: 8/1989
At the moment, Albert Coates is represented in the catalogue mainly by recordings of Wagner, his readings of whom ranked...
Reviewed by Lionel Salter in issue: 12/1992
Bruno Maderna reviews tend to follow a formula. They begin by pondering the reasons for Maderna’s enduring neglect, reminding us...
Reviewed by Philip_Clark in issue: 11/2010
I have not ticked them off from number 1 to 150, but the psalms of David as presented in this...
Reviewed in issue 12/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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