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Review of Barber Toccata Festiva; Poulenc; Petit Organ Concertos

Barber Toccata Festiva; Poulenc; Petit Organ Concertos

course there is great scope for virtuosity too‚ and under Leppard’s firm but generous direction both Gillian Weir and the...

Reviewed in issue 12/2001

Review of Haydn Symphonies Nos 82 - 87 (Paris Symphonies)

Haydn Symphonies Nos 82 - 87 (Paris Symphonies)

When the members of a Parisian concert society commissioned a set of symphonies from Haydn in the mid-1780s they would...

Reviewed by Lindsay Kemp in issue: 8/2005

Gramophone Classical Music Awards Winner
Review of Gluck Iphigénie en Tauride

Gluck Iphigénie en Tauride

It is no compliment to the production to say that it should be seen in conjunction with the bonus film...

Reviewed by John Steane in issue: 12/2003

Review of Blasco de Nebra Sonatas and Pastorela

Blasco de Nebra Sonatas and Pastorela

You may well imagine that Manuel Blasco de Nebra, organist of Seville Cathedral at the time of his death in...

Reviewed by Lindsay Kemp in issue: 5/2004

Review of Shostakovich Symphony No.14, etc

Shostakovich Symphony No.14, etc

Aptly, the Mussorgsky cycle in Shostakovich's orchestration precedes the symphony. Shostakovich himself made it clear that this darkly memorable cycle...

Reviewed by Edward Greenfield in issue: 2/1994

Review of Ponchielli (La) Gioconda

Ponchielli (La) Gioconda

In the late 1990s when Domingo was giving interviews to Helena Matheopoulos in preparation for their book, My Operatic Roles...

Reviewed by John Steane in issue: 4/2003

Review of Leon Fleischer - Two Hands

Leon Fleischer - Two Hands

This verges on the unbelievable. Leon Fleisher, now 75, who for more than 35 years couldn’t use his right hand...

Reviewed by Nalen Anthoni in issue: 11/2004

Review of Ebony Band - Polish Masterpieces

Ebony Band - Polish Masterpieces

The bold claim that this trio of unknown works by two neglected Polish composers active around 1940 are masterpieces comes...

Reviewed by Arnold Whittall in issue: 12/2010

Review of The Art of Frida Leider

The Art of Frida Leider

Year after year they came back, the Covent Garden public, to see and hear Leider do very much the same...

Reviewed in issue 5/1991

Review of Shchedrin (The) Sealed Angel

Shchedrin (The) Sealed Angel

In the interview that serves as the booklet-note, Rodion Shchedrin explains, albeit obliquely, the origins of his near-hour-long choral suite...

Reviewed by Guy Rickards in issue: 6/2009


 

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