Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If Juhani Aho's tale of misplaced love leading to tragedy was a landmark for the Finnish novel, its operatic potential...
Reviewed in issue 11/1992
Maria Joao Pires's first recorded Mozart sonata cycle on Denon/Target (originating from 1974 and reviewed last July as a five-disc...
Reviewed by Richard Wigmore in issue: 12/1990
A very satisfying coupling: Haydn's Trauer Symphony may not quite plumb the depths of the Mozart G minor, but it...
Reviewed by Stephen Johnson in issue: 8/1986
The idea of collecting Reger's works for four hands (either at two pianos or one) is praiseworthy on the face...
Reviewed in issue 3/1987
First, a word on the performers. The Israeli composer and conductor Gary Bertini has an interesting pedigree for a Mahlerian....
Reviewed in issue 5/1992
It is good to see this accomplished singer given the coveted opportunities of a recital disc. His is the kind...
Reviewed by John Steane in issue: 9/2004
When this collection first appeared, all three cycles were receiving their first recordings, by artists closely associated with this music...
Reviewed by Michael Oliver in issue: 8/1986
The intention of these ‘Great Conductors’ sets – to include a ‘representative and comprehensive variety of material’ – is admirable,...
Reviewed by jswain in issue: 9/2003
It may be questioned whether all those who are so forward in declamation of the “wee, sleekit, cowrin’, timorous beastie”...
Reviewed in issue 5/1996
Daniel-Ben Pienaar couldn’t have begun better, not by playing but by saying, “It is inescapable that a performance practice for...
Reviewed by Nalen Anthoni in issue: 2/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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