Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Both The B’s (1914) and Three Dances (1915) are products of Howells’s student days, when he was one of Stanford’s...
Reviewed by Andrew Achenbach in issue: 12/1997
One might think that Liszt had a monopoly on making piano transcriptions of Wagner's music, especially since he was the...
Reviewed by James Methuen-Campbell in issue: 5/1990
It seems that there is a new recording of this work about every second month. Where all the buyers come...
Reviewed by Alan Blyth in issue: 3/1988
Anne Gjevang actually—and rightly—calls herself a contralto. The contralto voice, or at least acknowledgment of it by its possessors, has...
Reviewed in issue 11/1991
As is well known by now, and is explained here by the distinguished Spanish musicologist Enrique Franco, Falla’s 1925 El...
Reviewed by Lionel Salter in issue: 10/1996
So we really are to have complete cycles of the Vaughan Williams symphonies from both Bryden Thomson for Chandos and...
Reviewed in issue 1/1988
Since the words ''minimalist'' or ''minimalism'' appear on both the front and the back of the packaging of this disc,...
Reviewed by Michael Oliver in issue: 4/1995
Were he alive today, Richard Strauss would probably declare these recordings 'fearfully old-fashioned' and suggest we seek out more up-to-date...
Reviewed in issue 8/1995
The Bartok Sonata was recorded at the same time as the works on the Mutter/Orkis Berlin recital which DD found...
Reviewed by Arnold Whittall in issue: 4/1998
Karajan made this outstanding Ravel collection for EMI a decade after his justly famed Debussy/Ravel anthology for DG ((CD) 427...
Reviewed by Ivan March in issue: 11/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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