Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Let there be no doubt, Franz Schmidt’s Fourth (1933) is one of the finest of 20th-century symphonies. Its alternately winsome...
Reviewed by Guy Rickards in issue: 2/2011
Red Byrd, supported by Cappella Amsterdam, have made here a fine contribution to the repertoire on disc of twelfth-century polyphony....
Reviewed by mberry in issue: 11/1997
A comprehensive analysis of these fascinating performances would demand the indulgence of 1000 words or more: so much happens –...
Reviewed by Rob Cowan in issue: 7/2000
“Infectiously beguiling” might be a suitable epithet to describe the Henschel Quartet’s way with the opening movement of Op 18...
Reviewed by Nalen Anthoni in issue: 4/2007
This is, in a literal, somewhat unflattering sense, an overwhelming performance. Together Mehta, Marton and the Sony engineers assault the...
Reviewed by Alan Blyth in issue: 10/1991
Here is another CD to swell the growing Gade discography. The Echoes from Ossian Overture has always been well served...
Reviewed by Robert Layton in issue: 4/1997
All 26 titles Leopold Godowsky recorded for Columbia Graphophone between 1913-16 fit neatly on to the first disc in this...
Reviewed by Jeremy Nicholas in issue: 7/2005
Bernard Haitmk told me some weeks ago that since leaving the Concertgebouw Orchestra he has conducted relatively little Bruckner, principally...
Reviewed by Richard Osborne in issue: 12/1988
With his Belgian forces – judging by the names, a mainly Walloon choir and Flemish instrumental group – Dirk Vermeulen...
Reviewed by Edward Greenfield in issue: 6/2003
Shortly after the assassination of Gandhi, Pandit Ravi Shankar was in a studio in Mumbai, preparing a live broadcast for...
Reviewed by bwitherden in issue: 9/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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