Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hearing this recording in its CD format I can report that my original enthusiasm was not misplaced. There is nothing...
Reviewed by Robert Layton in issue: 1/1988
Henri Sauguet (1901-89), the protege of Satie and friend of Milhaud, continued to compose into old age. These three works...
Reviewed by Arnold Whittall in issue: 8/1990
It was in 1937 that Adolph Deutsch was signed up by Warner Brothers on a seven-year contract to compose a...
Reviewed by Adrian Edwards in issue: 10/2002
Though printed in four languages, the accompanying booklet includes no information about the music. Instead, its slender space goes to...
Reviewed by Joan Chissell in issue: 1/1989
Thirty years ago, the idea of Stockhausen composing a series of 12 melodies on the signs of the zodiac might...
Reviewed by kYlzrO1BaC7A in issue: 10/2003
Crusell was not the only able Finnish composer before Sibelius, even if he is probably the best known. Regular organised...
Reviewed in issue 8/2001
There is a world of difference between the start of these two performances, between the Berlin Philharmonic’s giant footfalls and...
Reviewed by Richard Osborne in issue: 7/1997
Too many young collectors today know Hotter only as a Wagnerian (then usually in the Solti Ring where he was...
Reviewed by Alan Blyth in issue: 6/1999
Prokofiev's Lieutenant Kije brings out the best in Temirkanov—the humorist, the cartoonist. Consider a few of many pertinent details: Kije's...
Reviewed by Edward Seckerson in issue: 9/1992
The Orchestra of the Age of Enlightenment do not have a regular conductor of their own, and have not developed...
Reviewed by Stanley Sadie in issue: 2/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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