Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When, in 1987, The Lindsays set out to record Haydn quartets for ASV the first issues stemmed from live performances,...
Reviewed by Edward Greenfield in issue: 3/2000
On the surface, this release looks as though Chuquisengo has grabbed a random selection of scores from the top of...
Reviewed by Jeremy Nicholas in issue: 11/2005
We need to be clear what this CD contains: this is not quite the Complete Works for Solo Piano, as...
Reviewed by Peter Dickinson in issue: 10/1993
Here is a coupling that works on several levels. Programmatically, Sibelius’s “intimate voices” link up with the autobiographical driving force...
Reviewed by David Fanning in issue: 8/2011
The three symphonies are presented in reverse chronological order here, which is understandable when the great G minor comes in...
Reviewed by Edward Greenfield in issue: 8/1997
Frankly, I find it difficult to recommend a full-price disc that offers a playing time of only 39'55''. Perhaps if...
Reviewed by Michael Stewart in issue: 11/1992
Carl Friedrich Abel was a leading figure in London music during the 1760s and '70s, and with JC Bach played...
Reviewed by Stanley Sadie in issue: 11/2002
Few Soviet-era ballets are as bad as one expects them to be, usually because the composer manages to squeeze something...
Reviewed in issue 12/1995
Edward Kilenyi is an 86-year-old Hungarian-American pianist who, understandably, enjoyed a glittering international career during his heyday. A fellow-pupil of...
Reviewed by Bryce Morrison in issue: 9/1996
Reviewing the then new Giulini recording of Mozart's Don Giovanni in February 1961, the late Philip Hope-Wallace thought it worth...
Reviewed by Richard Osborne in issue: 10/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.