Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
What comes as a surprise about this sparkling opera-bouffe is not that all leading French composers have hailed it as...
Reviewed by Lionel Salter in issue: 8/1988
My appetite to hear this soundtrack was whetted by the story of two rival professional magicians set in 19th-century London...
Reviewed by Adrian Edwards in issue: 2/2007
The selection is wide-ranging (though having nothing Elizabethan, Jacobean or mid-Victorian), and the inclusion of the word 'cathedral' in the...
Reviewed in issue 3/1992
If this coupling of Bartok and Ravel seems an odd one, the explanation is that both works might be counted...
Reviewed by Edward Greenfield in issue: 10/1985
This most recent recording by the French female ensemble Discantus is a collection of sacred pieces stemming almost entirely from...
Reviewed by mberry in issue: 1/2007
In a celebrated LP rehearsal disc (nla), Beecham bemoaned to the percussionists in Symphony No. 100, his ''military gentlemen'', the...
Reviewed by Richard Wigmore in issue: 9/1992
A bassist of exploratory zeal, Stefano Scodanibbio is little recognized as a composer. As is made plain in his booklet...
Reviewed by kYlzrO1BaC7A in issue: 12/2004
It seems like – indeed it is – an eternity ago that Mariss Jansons first made such an impression with...
Reviewed by Edward Seckerson in issue: 1/2008
Refreshingly clean-cut, unusually mobile readings of both works from Gabriela Demeterova, enthusiastically partnered by Libor Pesek and his responsive Prague...
Reviewed by Andrew Achenbach in issue: 7/1999
A neat but somewhat specious claim to historical importance prefaces this revival. Mayr’s Ginevra was, as its editor Marco Beghelli...
Reviewed by John Steane in issue: 4/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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