Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A musical soiree in the 1830s with songs and duets by Mendelssohn would have been a homely affair. There is...
Reviewed in issue 5/1998
Claus Ogerman‚ born in 1930 in Ratibor‚ Germany‚ has been New Yorkdomiciled since 1959. In 1979‚ after writing orchestral arrangements...
Reviewed by kYlzrO1BaC7A in issue: 3/2002
Bringing together the finest wind-players from Oslo's Philharmonic and Opera orchestras, Gerard Oskamp's Norwegian Wind Ensemble make an excellent impression...
Reviewed in issue 8/1992
When it comes to top-notch cycles of Satie piano music, Aldo Ciccolini (EMI), Steffen Schleiermacher (MDG Scene) and LTM’s continuing...
Reviewed by Philip_Clark in issue: 4/2008
Premiered at Covent Garden in March 1749, Solomon is arguably the richest, certainly the most protean, of Handel's oratorios. With...
Reviewed by Richard Wigmore in issue: 12/2007
Anyone who heard Lydia Mordkovitch's fervent and glowing account of Szymanowski's Second Violin Concerto at the BBC Promenade Concerts some...
Reviewed by Robert Layton in issue: 6/1991
Khachaturian dedicated his Piano Concerto to Lev Oborin, who gave the first performance in 1937. His Violin Concerto was dedicated...
Reviewed in issue 4/1994
The King's Singers a la Francaise is an oddity. I can imagine that the idea of framing Saint-Saens's Carnival of...
Reviewed by Edward Greenfield in issue: 11/1987
Hard on the heels of Anna Noakes’s highly enjoyable recital for ASV of flute pieces by Andre Jolivet comes this...
Reviewed in issue 10/1996
Here, at all events, is a capital selection. ''To show the tenor, as it were, in the round'' is the...
Reviewed in issue 5/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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