Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The prodigiously talented Franco-American harpsichordist Justin Taylor follows a critically acclaimed earlier album devoted to the Forqueray family (11/16) with...
Reviewed by Philip Kennicott in issue: 07/2021
It’s been far too long since I last heard my fellow West Australian Craig Odgen live in concert. So this...
Reviewed by William Yeoman in issue: 07/2021
Slowly but surely, the great Bulgarian composer Pancho Vladigerov’s sizeable output of piano works is finally getting serious attention on...
Reviewed by Jed Distler in issue: 07/2021
Frank Huang first caught my attention through his 2017 Centaur release devoted to the jazzily inventive piano music of Jack...
Reviewed by Jed Distler in issue: 07/2021
Previously lauded for his 12-disc Reger survey (Thorofon, A/02), Markus Becker issued his first Haydn album four years ago. Now...
Reviewed by Michelle Assay in issue: 07/2021
In his thought-provoking booklet essay, Ian Pace considers the notational complexity of Brian Ferneyhough’s scores as being less a directive...
Reviewed by Richard Whitehouse in issue: 07/2021
Jacob van Eyck’s two volumes of Der Fluyten Lust-hof (1640s) apparently count as the largest-ever collection of music for a...
Reviewed by David Fallows in issue: 07/2021
Michael Dussek can’t be sure whether he’s descended from the 18th-/19th-century Bohemian composer Jan Ladislav Dussek (1760-1812). Nevertheless, the nominative...
Reviewed by David Threasher in issue: 07/2021
With the 2016 rebuild of the King’s College chapel organ, celebrated on a magnificent recent DVD release from Fugue State...
Reviewed by Marc Rochester in issue: 07/2021
Max Bruch’s music has been popular with string players for the past century and a half but his is not...
Reviewed by Patrick Rucker in issue: 07/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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