Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Triumphantly premiered at the King’s Theatre on February 13, 1725, Rodelinda was the third of the trio of masterpieces, after...
Reviewed by Richard Wigmore in issue: 07/2021
The basic premise of this production is completely bonkers. The first warning comes during the Overture: as the cast freezes,...
Reviewed by Richard Lawrence in issue: 07/2021
Premiered as long ago as 2004 (although telecast, then pirated, quite early in its life), this production was one of...
Reviewed by Mike Ashman in issue: 07/2021
A lot has changed in the decade since this Artaxerxes was originally released. Ian Page’s Classical Opera Company has become...
Reviewed by Alexandra Coghlan in issue: 07/2021
Last year Kate Lindsey, Jonathan Cohen and Arcangelo brought together Handel, Haydn and Alessandro Scarlatti in a fascinating exploration of...
Reviewed by Lindsay Kemp in issue: 07/2021
When I first heard Freddie De Tommaso – as Cassio in Otello at Covent Garden – I noted how he...
Reviewed by Mark Pullinger in issue: 07/2021
Some of us baked, others did DIY, and most of us managed our daily walks. Mezzo Helen Charlston and baritone...
Reviewed by Alexandra Coghlan in issue: 07/2021
Twelve years ago the group Capilla Flamenca, under the late and much-lamented Dirk Snellings, produced a marvellous CD of music...
Reviewed by David Fallows in issue: 07/2021
Most names here will be familiar to those who know mid-20th-century music in the UK but not necessarily as art-song...
Reviewed by David Patrick Stearns in issue: 07/2021
It’s an evocative title, and the music to go with this Passiontide programme by New York Polyphony is just as...
Reviewed by Alexandra Coghlan in issue: 07/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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