Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The primary claim to fame of Richard Strauss’s Krämerspiegel, the bitingly satirical song-cycle he grudgingly wrote to fulfil a historic...
Reviewed by Hugo Shirley in issue: 07/2021
Santa Ratniece (b1977) is a Latvian composer who has taken a recognisably Latvian, harmonic aesthetic to the intersection between notated...
Reviewed by Andrew Mellor in issue: 07/2021
After a Beethoven album with Jan Lisiecki (4/20), baritone Matthias Goerne moves on to work with another of DG’s young...
Reviewed by Hugo Shirley in issue: 07/2021
No, of course we don’t need another recording of choral music by Arvo Pärt. Or so one might have thought:...
Reviewed by Ivan Moody in issue: 07/2021
Beauty Farm have already several recordings to their name, though nothing, I think, as late as Palestrina. Here, the all...
Reviewed by Fabrice Fitch in issue: 07/2021
Born near Ingolstadt, halfway between Munich and Nuremberg, Simon Mayr (1763-1845) was largely active in Italy, setting up a music...
Reviewed by David Threasher in issue: 07/2021
The Septiesme livre de chansons, printed by Susato in 1545, contains 23 songs in five and six voices credited to...
Reviewed by David Fallows in issue: 07/2021
This exceedingly well-filled disc stands as a resounding testimonial to an important American composer of Episcopalian/Anglican choral music, recorded in...
Reviewed by Malcolm Riley in issue: 07/2021
Recordings of Couperin’s superb Leçons de Ténèbres, setting words from the Lamentations, usually fall into one of two categories: churchy...
Reviewed by Lindsay Kemp in issue: 07/2021
In September 1878 Brahms wrote to the conductor Bernhard Scholz: ‘I am coming with a large beard! Prepare your wife...
Reviewed by Mark Seow in issue: 07/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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