Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If you’ve yet to be persuaded of the merits of the Chris Maene Straight Strung Concert Grand Piano, this bright-eyed...
Reviewed by Richard Bratby in issue: 07/2021
If the aim of a debut is to captivate, showcase talent, lend insight into a curatorial perspective and leave the...
Reviewed by Amy Blier-Carruthers in issue: 07/2021
We’re plunged into the cinematic smokiness of film noir for the opening of this album: Bach’s solo violin music, arranged...
Reviewed by Mark Seow in issue: 07/2021
Spatially recorded Vasks from the Munich Radio Orchestra has a particular quality, a parallel immersive throbbing to that associated with...
Reviewed by Andrew Mellor in issue: 07/2021
Richard Strauss’s Burleske has been doing well on record of late. Denis Kozhukhin’s fine Pentatone recording from a couple of...
Reviewed by Hugo Shirley in issue: 07/2021
Naxos follows its anthology ‘The Neoclassical Skalkottas’ (5/20) with one of widely divergent pieces from the mid-1930s. The 36 Greek...
Reviewed by Richard Whitehouse in issue: 07/2021
Nearly a quarter of a century separates Dmitry Shostakovich’s two piano concertos. The First dates from 1933, three years prior...
Reviewed by Patrick Rucker in issue: 07/2021
Schreker’s Der Geburtstag der Infantin, based on Oscar Wilde’s short story The Birthday of the Infanta, is most commonly heard...
Reviewed by Christian Hoskins in issue: 07/2021
Ravel may have lived most of his life in Paris but the Basque National Orchestra are bound to wear this...
Reviewed by Edward Seckerson in issue: 07/2021
Cipriani Potter these days is just a name in dusty history books recounting Britain’s heyday as ‘Das Land ohne Musik’....
Reviewed by David Threasher in issue: 07/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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