Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Surely here was an opportunity to stray a little from the well-trodden path and offer perhaps Mussorgsky’s startling original version...
Reviewed by Edward Seckerson in issue: 07/2021
In December 2019 Lindsay Kemp called Rinaldo Alessandrini’s recording of Bach’s Orchestral Suites perhaps ‘the danciest ever’. There’s a new...
Reviewed by Mark Seow in issue: 07/2021
As with Schiff’s Schubert Sonatas and Impromptus for ECM New Series (6/19), so his Brahms concertos, self-directed from a restored...
Reviewed by Michelle Assay in issue: 07/2021
The most familiar groups of composers linked by nationality are probably the ‘Russian Five’ and the French ‘Les Six’. On...
Reviewed by Jed Distler in issue: 06/2021
This very cool collection of tours de force takes a random selection of archetypal themes composed and collaboratively performed by...
Reviewed by Laurence Vittes in issue: 06/2021
The earliest composition in Gunnar Andreas Kristinsson’s catalogue (at least on his website) is a song for mixed choir from...
Reviewed by Guy Rickards in issue: 06/2021
If Susan Kander and Roberta Gumbel’s dwb (driving while black) had premiered as scheduled two months before the death of...
Reviewed by Laurence Vittes in issue: 06/2021
What makes an opera an opera? Rosśa Crean styles The Priestess of Morphine: A Forensic Study of Marie-Madeleine in the...
Reviewed by Guy Rickards in issue: 06/2021
Les Indes galantes – ‘The amorous Indies’ – was first staged at the Paris Opéra in 1735. Whether called an...
Reviewed by Richard Lawrence in issue: 06/2021
It’s something of a miracle that this production of Così fan tutte took place at all … but then, it...
Reviewed by Mark Pullinger in issue: 06/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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