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Review of Sarah Aristidou: Æther

Sarah Aristidou: Æther

'We may not be able to change the world, but we can change our relationship to it, starting with our...

Reviewed by Tim Ashley in issue: 01/2022

Review of RIMSKY-KORSAKOV Sadko (Zangiev)

RIMSKY-KORSAKOV Sadko (Zangiev)

When an opera is deconstructed – when it is given a new story, and the sets disassembled on stage –...

Reviewed by Marina Frolova-Walker in issue: 01/2022

Review of MOZART Mitridate, re di Ponto (Minkowski)

MOZART Mitridate, re di Ponto (Minkowski)

For an opera that was not revived after its initial performances until the 1970s, Mitridate has done surprisingly well on...

Reviewed by Richard Lawrence in issue: 01/2022

Review of HOLTEN Schlagt Sie Tot! (Ringborg)

HOLTEN Schlagt Sie Tot! (Ringborg)

The subject of Schlagt sie tot! (2018) is Martin Luther, viewed through the personal and political aftermath of his nailing...

Reviewed by Guy Rickards in issue: 01/2022

Review of HENZE Das verratene Meer (Young)

HENZE Das verratene Meer (Young)

The sailor who fell from grace with the sea made pretty shocking reading for this listener as a teenager, prompted...

Reviewed by Peter Quantrill in issue: 01/2022

Review of Handel’s Unsung Heroes

Handel’s Unsung Heroes

Handel loved to pit the voice against one or more solo instruments, whether in a spirit of competitive sparring or...

Reviewed by Richard Wigmore in issue: 01/2022

Review of FRANCK Hulda (Bollon)

FRANCK Hulda (Bollon)

Fabrice Bollon and his Freiburg forces have done much of late to re-examine the lesser-known operatic repertory, with a distinguished...

Reviewed by Tim Ashley in issue: 01/2022

Review of DVORÁK Rusalka (Bolton)

DVORÁK Rusalka (Bolton)

I first watched Christof Loy’s new production of Rusalka when it was streamed live from the Teatro Real in November...

Reviewed by Mark Pullinger in issue: 01/2022

Review of BARRY Alice's Adventures Under Ground

BARRY Alice's Adventures Under Ground

Alice’s Adventures in Wonderland has provided inspiration for many composers with varying degrees of success over the years, yet Lewis...

Reviewed by Pwyll ap Siôn in issue: 01/2022

Review of Monteverdi & Friends: Vespro da Camera

Monteverdi & Friends: Vespro da Camera

This all-Venetian ‘chamber vespers’ places three Monteverdi pieces within psalms, motets, sonatas and a canticle by the composer’s collegial circle...

Reviewed by David Vickers in issue: 01/2022


 

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