Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The chic waltz song ‘Italien’ became something of a popular hit after Mendelssohn published it in his Op 8 collection....
Reviewed by Richard Wigmore in issue: 06/2022
Recordings of Frank Martin’s Requiem are not exactly abundant, so this one is very welcome, particularly since this coupling places...
Reviewed by Ivan Moody in issue: 06/2022
Unlike his close contemporary Telemann, Johann David Heinichen actually finished his law degree at Leipzig University before switching to a...
Reviewed by David Vickers in issue: 06/2022
In 1731 Bach transposed Ich habe genug up to E minor for soprano and reassigned the oboe part to flute....
Reviewed by David Vickers in issue: 06/2022
Micha Gondko here plays the so-called ‘Presbyter’ lute that seems to be from the 16th century: at least it has...
Reviewed by David Fallows in issue: 06/2022
Yoav Levanon is an 18-year-old Israeli-French pianist. This is his debut album for Warner Classics, a programme with the flimsy...
Reviewed by Jeremy Nicholas in issue: 06/2022
I almost began this review by saying that the caprice is the star of the show, but I checked myself,...
Reviewed by Charlotte Gardner in issue: 06/2022
David Briggs’s previous Vaughan Williams release for Albion (10/15) was an acclaimed bumper two-disc set ‘Bursts of Acclamation’, recorded in...
Reviewed by Malcolm Riley in issue: 06/2022
The First Sonata is seldom encountered in performance, due to its half-hour length and the myriad interpretative challenges it poses....
Reviewed by Patrick Rucker in issue: 06/2022
Dear Federico, Since you’ve chosen to write a letter to Mozart in the booklet to your latest CD, I thought I’d...
Reviewed by Michelle Assay in issue: 06/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.