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SCHMITT Piano Concertos (Howard Shelley)

Eighty-four down, and still counting. Yet again Hyperion has colonised a corner of the Romantic repertoire that others have not...

Reviewed by Richard Wigmore in issue: 10/2022

PETTERSSON Symphony No 15. Viola Concerto

With this release, only four of Allan Pettersson’s symphonies remain for Christian Lindberg to record: Nos 3, 8, 10 and...

Reviewed by Guy Rickards in issue: 10/2022

NORDIN Emerging from Currents and Waves

Here is plenty to occupy those prone to speculating on the future of orchestral music. Swedish composer Jesper Nordin (not...

Reviewed by Andrew Mellor in issue: 10/2022

MOZART Violin Concertos, Vol 2 (Francesca Dego)

The traditional view is that Mozart’s Third Violin Concerto, K216, represents a huge leap forward in inventiveness after the more...

Reviewed by Richard Wigmore in issue: 10/2022

MOZART Piano Concertos Nos 24 & 17 (Éric Le Sage)

For his first recording of Mozart concertos, Éric Le Sage, in the company of the Gävle Symphony Orchestra and oboist/conductor...

Reviewed by Harriet Smith in issue: 10/2022

GUERRA-PEIXE Symphonic Suites No. 1 and 2. Roda de Amigos

César Guerra-Peixe (1914-93) was, as well as a prolific composer, a great promoter of Brazilian folk music, and carried out...

Reviewed by Ivan Moody in issue: 10/2022

CORIGLIANO 'To Music'

John Corigliano is not, as he would admit, a natural symphonist. With so many great symphonies already penned by others,...

Reviewed by Guy Rickards in issue: 10/2022

BEETHOVEN Symphony No 2 DEAN Testament (Jurowski)

In Vladimir Jurowski’s hands, the first movement of Beethoven’s Symphony No 2 is a study in contrasts. He paces the...

Reviewed by Andrew Farach-Colton in issue: 10/2022

JS BACH Harpsichord Concertos (Corti; Suzuki)

Having completed distinctive and imaginative recordings of Bach’s seven solo harpsichord concertos and Triple Concerto (7/20, 4/21), Francesco Corti moves...

Reviewed by Lindsay Kemp in issue: 10/2022

ARNELL Orchestral Works

A pupil of Ireland at the RCM (1935-39), Richard Arnell was shaped musically by those inter-war influences of post-Romanticism and...

Reviewed by Jeremy Dibble in issue: 10/2022

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