Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Thomas Adès’s The Four Quarters reflects, in its title at least, TS Eliot’s Four Quartets, the first of which, ‘Burnt...
Reviewed by Rob Cowan in issue: 06/2022
Volume 1 of this series was welcomed in these pages (10/17) for values of architectural clarity and expressive restraint which...
Reviewed by Peter Quantrill in issue: 06/2022
This is a genuinely remarkable disc. I say this not from any association of its contents with current events, but...
Reviewed by Ivan Moody in issue: 06/2022
Pity Joachim Raff. Pity any fine second-rank composer who had the misfortune to work within the orbit of Liszt, Brahms...
Reviewed by Richard Bratby in issue: 06/2022
The six violin sonatas Mozart composed in Mannheim and Paris during the spring and summer of 1778 don’t often appear...
Reviewed by David Threasher in issue: 06/2022
It’s strange that there aren’t more recordings of Leclair’s Op 5 Violin Sonatas, given how much they have going for...
Reviewed by Charlotte Gardner in issue: 06/2022
Given clubbing’s ubiquity, it’s surprising that there are so few club-culture-themed compositions. An outlier is Richard Baker’s sensuously thrilling The...
Reviewed by Liam Cagney in issue: 06/2022
Previous releases of Taneyev and Borodin (Naxos) and Shostakovich and Auerbach (Odradek) left little doubt as to the Delta Trio’s...
Reviewed by Richard Whitehouse in issue: 06/2022
If you’re not an expert on all things flute, the chances are that the names Franz and Karl Doppler and...
Reviewed by Charlotte Gardner in issue: 06/2022
When the string quintet (two violins, viola, cello, and double bass) versions of the Chopin concertos appear in the antiquarian...
Reviewed by Patrick Rucker in issue: 06/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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