Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Johann Ludwig Krebs was among Bach’s most accomplished students, and like many of his students and Bach’s sons as well,...
Reviewed by Philip Kennicott in issue: 06/2022
DG is making the most of its signing of Grigory Sokolov, one of the world’s greatest pianists and perhaps its...
Reviewed by Harriet Smith in issue: 06/2022
Orion Weiss approaches the oft-recorded Goyescas suite more as a classicist in line with recent versions from Garrick Ohlsson, Jean-Philippe...
Reviewed by Jed Distler in issue: 06/2022
Radamés Gnattali (1906‑88) is apparently a familiar name to virtually all Brazilian musicians, though less so perhaps to musicians in...
Reviewed by Patrick Rucker in issue: 06/2022
‘Do we know how Chopin ought to be played or do we just think we do?’ asks the Ukrainian-born pianist...
Reviewed by Jeremy Nicholas in issue: 06/2022
Simon Trpčeski’s new Linn recording of masters of the variation is likely to inspire admiration and astonishment in equal measure....
Reviewed by Patrick Rucker in issue: 06/2022
Unlike his earlier ‘JS Bach from Lincoln’ album (Priory, 11/18), Colin Walsh has avoided any of the big headline-grabbing works...
Reviewed by Marc Rochester in issue: 06/2022
‘I am convinced that honesty and faith in one’s ideas can result in a form of individuality’, claims the French...
Reviewed by Rob Cowan in issue: 06/2022
Last June I reviewed James Ehnes’s superb recordings of Ysaÿe’s Solo Violin Sonatas, recorded at his home over a few...
Reviewed by Rob Cowan in issue: 06/2022
A notable venture of the Covid pandemic was Jonathan Radford’s exploration of the ‘Roaring Twenties’ with Ashley Fripp, throwing a...
Reviewed by Richard Whitehouse in issue: 06/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.