Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
One of the most eagerly awaited productions of the 2019‑20 season at Covent Garden was this Fidelio, with Antonio Pappano...
Reviewed by Hugo Shirley in issue: 06/2022
The mirror – glass of truth or deception, revealing a twin-self or a dark double – is the intriguing theme...
Reviewed by Alexandra Coghlan in issue: 06/2022
The subtitle is misleading, as the music by Mozart and Michael Haydn here was all composed for Salzburg Cathedral and...
Reviewed by David Threasher in issue: 06/2022
What might at first glance seem like a disparate programme of medieval carols, Renaissance lute songs, Romantic motets and 20th-century...
Reviewed by Jeremy Dibble in issue: 06/2022
Andrew Nethsingha mentions in the booklet that he has clocked up an estimated 8000 Evensongs in his life. As a...
Reviewed by Andrew Mellor in issue: 06/2022
As musical responses to the pandemic go, this is a bold one. While today’s careful, not to say squeamish prevailing...
Reviewed by Alexandra Coghlan in issue: 06/2022
It’s four decades since The Consort of Musicke devoted an entire programme to John Wilbye (L’Oiseau-Lyre, 7/82), and the title...
Reviewed by Fabrice Fitch in issue: 06/2022
For the first release in its digital-only Verbier Festival Gold series, featuring live recordings from the swanky Swiss festival, DG...
Reviewed by Hugo Shirley in issue: 06/2022
Othmar Schoeck wrote over 400 songs, and Elegie (1921‑22) is arguably his finest achievement in the genre. Like so many...
Reviewed by Hugo Shirley in issue: 06/2022
Rossini’s Stabat mater is one of the glories of the composer’s output from his long post-retirement phrase. Its composition spanned...
Reviewed by Mark Pullinger in issue: 06/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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