Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s always a thrill, and a privilege, to return to Messiaen’s mighty masterpiece. And this new one got me thinking...
Reviewed by Harriet Smith in issue: 07/2022
Hamelin and Bolcom are old friends on disc and in life. Back in 1987, the young Canadian recorded Twelve New...
Reviewed by Jeremy Nicholas in issue: 07/2022
The lyricism and novel sound world suggest moments on Ralph Towner and Paolo Fresu’s 2008 album ‘Chiaroscuro’ (ECM). The fragility...
Reviewed by William Yeoman in issue: 07/2022
These three chamber works, which lay undisturbed and unperformed for the whole of the last century, were selected to be...
Reviewed by David Threasher in issue: 07/2022
This is a rooted performance of Sibelius’s last symphony from the first non-Finn to lead the orchestra of the Finnish...
Reviewed by Andrew Mellor in issue: 07/2022
Every now and again accounts of Ravel’s concertos come along that set new standards: the G major from Michelangeli and...
Reviewed by Harriet Smith in issue: 07/2022
As this welcome 70th-birthday retrospective reminds us, Austrian baritone Wolfgang Holzmair’s voice is surely one of the most immediately recognisable...
Reviewed by Hugo Shirley in issue: 06/2022
Like so many great conductors from the past, recent or distant, over time Kurt Masur evolved his own sound, which...
Reviewed by Rob Cowan in issue: 06/2022
This is the second album Navona has devoted entirely to the music of Rain Worthington (b1949), though her works –...
Reviewed by Guy Rickards in issue: 06/2022
It is typical of David Starobin to wind up his career as a recording artist with music by a composer...
Reviewed by Donald Rosenberg in issue: 06/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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