Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In the sense meant by the old phrase ‘a painter’s painter’, Camargo Guarnieri is ‘a composer’s composer’. His music grabs...
Reviewed by Ivan Moody in issue: 07/2022
There are passages in Gian Francesco Malipiero’s 1937 Cello Concerto that sound as if they might have come from a...
Reviewed by Andrew Farach-Colton in issue: 07/2022
The Debussian sensibility is writ large here. One can trace a line of succession from the ‘Sirènes’ of Nocturnes via...
Reviewed by Edward Seckerson in issue: 07/2022
Florence Price is fast becoming the flag-bearer for a whole new generation of female African American composers. And she is...
Reviewed by Edward Seckerson in issue: 07/2022
‘What God watches over the sleeping?’ asks Monteverdi’s Ulisse in his first outpouring. Here it’s the whole damn lot of...
Reviewed by Alexandra Coghlan in issue: 07/2022
It is hard not to be in awe of Héloïse Werner: a soprano of extraordinary range, tone and vocal abilities,...
Reviewed by Guy Rickards in issue: 07/2022
‘Battle Cry’ – it’s an arresting title for an equally arresting album, the solo recital debut from mezzo Helen Charlston....
Reviewed by Alexandra Coghlan in issue: 07/2022
Josquin has long been established as a pre-eminent oltremontano – a northern European composer who crossed over the mountains into...
Reviewed by Edward Breen in issue: 07/2022
If I praised this ensemble’s last disc to the skies (8/21), it’s because it brought something new to the table:...
Reviewed by Fabrice Fitch in issue: 07/2022
Though not as well known in the UK and Europe as they were in the US, the piano duo of...
Reviewed by Jeremy Nicholas in issue: 07/2022
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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