Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
''What had happened in the three months that separate the second from the third...? We do not know. Suddenly there...
Reviewed by Joan Chissell in issue: 9/1986
It was not so long ago that Winchester Cathedral Choir recorded the Funeral Music under Martin Neary in a fine...
Reviewed by Jonathan Freeman-Attwood in issue: 6/1994
Mikhail Pletnev’s multifarious career has not included a post as a theatre conductor but his devotion to Tchaikovsky is manifest...
Reviewed by John Warrack in issue: 6/2010
C Bach is often thought of as a composer of polite music of no great depth or energy, but, as...
Reviewed by Lindsay Kemp in issue: 5/2008
‘Italia, ti amo’. But, as Domingo explains in interview, his native Spain comes first. All the same, he has apparently...
Reviewed by John Steane in issue: 6/2006
In his Gramophone ‘Collection’ article on the Britten operas (6/03), Richard Fairman looked forward eagerly to the return of this...
Reviewed by Alan Blyth in issue: 9/2003
It is a shame Naxos has not chosen to issue all three of Rautavaara’s piano concertos on a single, very...
Reviewed by Guy Rickards in issue: 13/2003
Take your time over Bax's Seventh; it can seem two quite different works on two different hearings. Its occasionally noisy...
Reviewed by Michael Oliver in issue: 12/1988
As a country with a limited base of musical patronage in the eighteenth century, and one that suffered a good...
Reviewed by Stanley Sadie in issue: 8/1994
Alan Rawsthorne’s Theme and Variations for two violins not only ranks as one of his masterpieces‚ but can also be...
Reviewed in issue 1/2002
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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