Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
One can never ignore a performance under Harnoncourt; or rather, it is never possible for long to be unaware that...
Reviewed in issue 7/1994
In her recent survey of The Nineteenth Century German Lied (Amadeus Press: 1993), Lorraine Gorrell sees the later composers ''writing...
Reviewed in issue 6/1994
This collection of strophic ballads has its fair share of the Gothic and Grand Guignol, most of it concerned with...
Reviewed by Jeremy Nicholas in issue: 8/2011
The cruelty and stupidity of military men might seem an eminently proper subject for a modern opera. An opera in...
Reviewed by Arnold Whittall in issue: 7/1991
Godowsky’s music – both his original works and his elaborate transcriptions – is not to everyone’s taste. The density of...
Reviewed by Tim Parry in issue: 11/1997
This particular work needs no introduction; indeed, some fine recordings already exist of this set, which has become a particular...
Reviewed by Fabrice Fitch in issue: 3/2006
These two volumes cover Montsalvatge’s works for piano and voice, and form part of the Montsalvatge Edition, Columna Música’s survey...
Reviewed by William Yeoman in issue: 9/2006
This disc complements and completes Marco Polo's excellent first volume of Fuchs's piano sonatas which I reviewed in June and...
Reviewed by Bryce Morrison in issue: 2/1994
Both sleeve and label announce that this is the Urfassung (''Original Version'') of Der Tod und das Madchen but Schubertians...
Reviewed in issue 3/1986
This CD reissue is most welcome, for it is a collection of Berlioz overtures under our leading Berlioz conductor and...
Reviewed in issue 9/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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