Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
None of the five cantatas on the BIS release extends beyond a quarter of an hour and yet the wealth...
Reviewed by Jonathan Freeman-Attwood in issue: 9/2008
Richard Osborne described this Zimerman/Bernstein account of Brahm's First Concerto as ''narcissistic, so intolerably self-regarding'' although he also found the...
Reviewed by Ivan March in issue: 5/1986
This unusual programme couples the Scriabin Concerto with solo piano music by Medtner and Prokofiev. Medtner was as scornful as...
Reviewed by Bryce Morrison in issue: 7/2010
Two sides of Edward Harper, now in his mid-sixties, emerge from this disc. In the main and most recent work,...
Reviewed by Arnold Whittall in issue: 7/2008
Symphony-lite was something of a French speciality in the 1920s. And as an adopted Parisian, Polish-born Alexandre Tansman helped to...
Reviewed by David Fanning in issue: 11/2008
Gustav Leonhardt has chosen here two works of outstanding originality. From 1696 Fransisco Valls was choirmaster at Barcelona Cathedral, retiring...
Reviewed by Nicholas Anderson in issue: 8/1993
Large claims have been made for Villa-Lobos's 17 string quartets. Grove states that they ''show the full extent of his...
Reviewed by Lionel Salter in issue: 9/1988
Zaide is far too good a work to lie forgotten but is a difficult one to revive. Mozart, seeing no...
Reviewed by Stanley Sadie in issue: 5/1991
Both the symphonies on this record were performed in 1791 during Haydn's stay in London. They are similarly scored for...
Reviewed by Nicholas Anderson in issue: 11/1985
Recordings of Rameau orchestral suites have been appearing for as long as those of the complete operas they are taken...
Reviewed in issue 11/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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