Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
As well as being the most compelling of all early operas, L’incoronazione di Poppea is also the most problematic. One...
Reviewed by Iain Fenlon in issue: 13/2005
In its LP format, this record won much acclaim not only on artistic grounds but for the quality of the...
Reviewed by Robert Layton in issue: 6/1983
Gautier de Coincy (d1236) is one of those odd figures in the history of music who may not have been...
Reviewed by David Fallows in issue: 1/2003
Hot on the heels (or so it seems) of Jansons’s LSO Live recording (10/03) comes this rival version from his...
Reviewed by David Gutman in issue: 7/2006
It is not long since Alfano’s almost-forgotten Cyrano de Bergerac made its appearance on record (4/03), to the surprise and...
Reviewed by John Steane in issue: 10/2003
''It must be owned that the works of this incomparable man are of a taste far superior to all other....
Reviewed by Nicholas Anderson in issue: 4/1988
The last recording of the Dvorak Piano Quintet that I reviewed in these pages offered a high-powered performance from Menahem...
Reviewed by Edward Greenfield in issue: 4/1996
A decent modern recording of Sullivan's Irish Symphony was long overdue, so this new rendering from Owain Arwel Hughes and...
Reviewed by Andrew Achenbach in issue: 4/1995
The previous two instalments of this series (9/95 and 5/96) were notable for the warmth of tone Cortese brought to...
Reviewed in issue 3/1997
Dantons Tod is that rare phenomenon, a popular contemporary opera: it has been in the repertoire in German-speaking countries virtually...
Reviewed by Michael Oliver in issue: 7/1985
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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