Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The close connection between the experimental music tradition and rock music had never been apparent to me until I attended...
Reviewed by mharry in issue: 13/1999
Three pieces: a new concerto, an old friend in a (not very) different guise, and a repertory staple. The “new...
Reviewed by Richard Lawrence in issue: 4/2009
As diligent readers of Gramophone will have noticed, the Bel Canto Society have been offering opera lovers interested...
Reviewed by Alan Blyth in issue: 1/1997
George Harrison dubbed Shankar ‘the Father of World Music’. I know what he meant, and he meant well, but the...
Reviewed by bwitherden in issue: 12/2002
The Ulster Orchestra have made a considerable name for themselves, not least through a discerning choice of music for their...
Reviewed in issue 8/1987
Celebrating Birmingham’s newly refurbished Town Hall and organ, this programme is the kind that a century ago would have had...
Reviewed by Jeremy Nicholas in issue: 12/2007
I think this is the finest record so far from the astonishing Clement lanequin Ensemble, for three reasons. The first...
Reviewed by David Fallows in issue: 9/1988
This slimline rearrangement of Haitink's Mahler cycle comes little more than a year after Philips presented it complete with couplings...
Reviewed by kYlzrO1BaC7A in issue: 11/1994
It's always stimulating to discover a composer whose name you've never heard before and of whose music you've never heard...
Reviewed in issue 9/1992
Collectors familiar with APR’s previous releases of Simon Barere’s complete 1934/36 HMV recordings (12/85) will want to know how the...
Reviewed by David Fallows in issue: 5/2005
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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