Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The Variations sur un thème de Frescobaldi (1937) exist in two versions: the original for full orchestra and – following...
Reviewed by Guy Rickards in issue: 11/2006
These are historical documents of importance from the Britten-Pears Library that are at last being allowed into the public domain....
Reviewed by Alan Blyth in issue: 2/1996
The only really familiar pieces on this CD will be the Liebestod transcription, the Gounod Faust Waltz, the Don Juan...
Reviewed by James Methuen-Campbell in issue: 12/1990
Tenebrae aims to create ‘an ethereal mood of contemplation’. Towards this end their concerts of medieval, Renaissance and contemporary devotional...
Reviewed by bwitherden in issue: 10/2003
Though the name Miriam Gauci does not quite go to the tune of Mirella Freni, it and the voice and...
Reviewed in issue 11/1992
The latest of Avie’s reissues of recordings by Cleveland-based Baroque orchestra Apollo’s Fire was first issued on the Canadian label...
Reviewed by Lindsay Kemp in issue: 2/2011
A chronologically wide-ranging Britten programme performed with unerring sensitivity and much quiet insight. The Movement for wind sextet (here receiving...
Reviewed by Andrew Achenbach in issue: 9/1996
I Fagiolini’s previous Monteverdi offerings have been warmly welcomed, preserving something of the ensemble’s memorable live performances. Given their spirited...
Reviewed by Fabrice Fitch in issue: 13/2009
Jordi Savall’s new ‘own-brand’ label certainly likes to package its CDs attractively, with this one coming in a glossy little...
Reviewed by Lindsay Kemp in issue: 13/1998
I feel about the Vienna Symphony and Inbal's Leningrad much as I did about their Shostakovich Tenth (9/92)—''deeply felt, well...
Reviewed in issue 4/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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