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Review of Tansman Orchestral Works

Tansman Orchestral Works

The Variations sur un thème de Frescobaldi (1937) exist in two versions: the original for full orchestra and – following...

Reviewed by Guy Rickards in issue: 11/2006

Review of Britten Orchestral & Vocal Works

Britten Orchestral & Vocal Works

These are historical documents of importance from the Britten-Pears Library that are at last being allowed into the public domain....

Reviewed by Alan Blyth in issue: 2/1996

Review of Liszt Piano Works, Vol. 6

Liszt Piano Works, Vol. 6

The only really familiar pieces on this CD will be the Liebestod transcription, the Gounod Faust Waltz, the Don Juan...

Reviewed by James Methuen-Campbell in issue: 12/1990

Review of Mother and Child

Mother and Child

Tenebrae aims to create ‘an ethereal mood of contemplation’. Towards this end their concerts of medieval, Renaissance and contemporary devotional...

Reviewed by bwitherden in issue: 10/2003

Review of Soprano Arias from Italian Operas

Soprano Arias from Italian Operas

Though the name Miriam Gauci does not quite go to the tune of Mirella Freni, it and the voice and...

Reviewed in issue 11/1992

Review of Vivaldi & Friends

Vivaldi & Friends

The latest of Avie’s reissues of recordings by Cleveland-based Baroque orchestra Apollo’s Fire was first issued on the Canadian label...

Reviewed by Lindsay Kemp in issue: 2/2011

Review of Britten Vocal and Instrumental Works

Britten Vocal and Instrumental Works

A chronologically wide-ranging Britten programme performed with unerring sensitivity and much quiet insight. The Movement for wind sextet (here receiving...

Reviewed by Andrew Achenbach in issue: 9/1996

Review of Monteverdi Sweet Torment

Monteverdi Sweet Torment

I Fagiolini’s previous Monteverdi offerings have been warmly welcomed, preserving something of the ensemble’s memorable live performances. Given their spirited...

Reviewed by Fabrice Fitch in issue: 13/2009

Review of Cabanilles Batalles, Tientos & Passacalles

Cabanilles Batalles, Tientos & Passacalles

Jordi Savall’s new ‘own-brand’ label certainly likes to package its CDs attractively, with this one coming in a glossy little...

Reviewed by Lindsay Kemp in issue: 13/1998

Review of Shostakovich Symphony No. 7

Shostakovich Symphony No. 7

I feel about the Vienna Symphony and Inbal's Leningrad much as I did about their Shostakovich Tenth (9/92)—''deeply felt, well...

Reviewed in issue 4/1993


 

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