Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
This is an interesting venture‚ and readers to whom it is new and who can also lay hands on the...
Reviewed in issue 6/2002
More convincing as symphonic fantasia than fully fledged symphony, Wiren’s Fourth (1951-2) is none the less a classic score, vividly...
Reviewed in issue 10/1998
The discs by Zukerman and Sitkovetsky (Novalis/ASV) have much in common: they offer middle-of-the-road versions of all three basic violin...
Reviewed by John Duarte in issue: 11/1991
The links, both musical and personal, between Grieg and Delius are many, which makes this a very apt and attractive...
Reviewed by Edward Greenfield in issue: 4/1998
This performance of the Vespers barely needs any introduction, so familiar has it become during the pasy ten years. However...
Reviewed in issue 2/1986
Mixed trios of wind and string instruments are more associated with the galant style than the baroque, and even then...
Reviewed in issue 2/1990
For some unknown reason, it has taken five years for this recording, by one of the greatest cellists of our...
Reviewed by Lionel Salter in issue: 9/1997
Here is an interesting, sometimes curious, selection of arias from 20th-century opera and operetta. I suppose nowadays, in the age...
Reviewed by po'connor in issue: 7/2009
Solti may have been leaner and hungrier in 1964—which is when his trail-blazing LSO/Decca recordings of Music for Strings, Percussion...
Reviewed by Edward Seckerson in issue: 5/1991
Lalo's three piano trios have done well on disc recently. Earlier this year, LS reviewed performances by the Trio Parnassus,...
Reviewed by Christopher Headington in issue: 11/1994
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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