Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The mention of Saint-Tropez will inevitably conjure up images of a sunny holiday destination; but for lovers of fine organs...
Reviewed by Christopher Nickol in issue: 12/2002
Henryk Melcer (‑Szczwinski) does not merit a mention in every musical reference work. He was born near Warsaw in 1869...
Reviewed by Jeremy Nicholas in issue: 1/2008
In 1680 Louis XIV, eager to relive his youth through his own children, commissioned his surintendant de musique to devise...
Reviewed by Julie Anne Sadie in issue: 6/2004
Debussy wrote his two books of Etudes in the autumn of 1915. They are dedicated to the memory of Chopin,...
Reviewed by James Methuen-Campbell in issue: 8/1988
Marco Polo are doing invaluable work in recording pieces which in many cases have insufficient character to be viable in...
Reviewed in issue 10/1992
Not long ago Richard Hickox and the LSO recorded these two symphonies for Chandos with success and this is now...
Reviewed by Ivan March in issue: 12/1996
Scherchen recorded the Requiem twice, first in 1954 (Ducretet Thomson, 6/56 – nla), then again in 1958 (the version we...
Reviewed by Alan Blyth in issue: 3/1997
A surprisingly uninvolved live account of the First Symphony flares into life in the florid set pieces but otherwise emphasizes...
Reviewed by mquinn in issue: 9/1998
Given the number of recordings now appearing, it was inevitable that Kaikhosru Sorabji’s 100 Transcendental Studies be tackled, and Swedish...
Reviewed by kYlzrO1BaC7A in issue: 6/2006
There is playing of great beauty and power in the Unfinished, as you'd expect, excepting the slightly ragged chording in...
Reviewed by John Steane in issue: 8/1991
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.