Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
One wouldn't expect concertos played by Martha Argerich to be less than electrifying but I imagine I shan't be alone...
Reviewed by Stephen Plaistow in issue: 1/1995
This is a very good performance indeed, and immediately preferable to Haitink's excellent Decca version on at least one account:...
Reviewed by Michael Oliver in issue: 12/1987
DG continues the ‘dream theme’ with its latest Takemitsu disc. It is a follow-up to Oliver Knussen’s selection of orchestral...
Reviewed by Arnold Whittall in issue: 8/2000
Lovers of Chopin’s early and scintillating romanticism are spoilt for choice. And with discs of the two piano concertos available...
Reviewed by Bryce Morrison in issue: 3/2010
Call me a fraud, but I had never heard of Christian Joseph Lidarti (1730-95) until the arrival of this CD...
Reviewed by Richard Wigmore in issue: 8/2008
The Introduction and Allegro appassionato (1849), otherwise known as the Concertstück in G major for piano and orchestra, and the...
Reviewed by Jeremy Nicholas in issue: 6/2010
For many years there have been rumours that Pinchas Zukerman, one of the world's outstanding viola players in addition to...
Reviewed by Edward Greenfield in issue: 1/1988
Most of the Boccherini chamber music, and cello music, that we have on records comes from his early and middle...
Reviewed by Stanley Sadie in issue: 5/1992
Dreadful to think that while I was comfortably listening to Smetana’s stormy evocation ‘St John’s Rapids’ in ‘Vltava’ the actual...
Reviewed in issue 13/2002
In March 2005 I welcomed the first 10 releases in the Guild Light Music collection, featuring transfers from 78s and...
Reviewed by Andrew Lamb in issue: 7/2006
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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