Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It is good to have this superb recording of William Alwyn's colourful and confident adaptation of Strindberg's play on CD,...
Reviewed by Edward Greenfield in issue: 3/1993
You could say that Eine Florentinische Tragodie ( ''A Florentine tragedy'') is a truer successor to Salome than anything Richard...
Reviewed by Michael Oliver in issue: 9/1985
Perhaps the Editor should impose what the Industrial Relations people call a cooling-off period. Still feeling the impact of that...
Reviewed in issue 10/1987
Piano music hardly forms a major part of Lutoslawski’s output, although the wartime Studies find a distinctive voice emerging, while...
Reviewed by kYlzrO1BaC7A in issue: 4/1999
Since Eugen Jochum was always one of the most spontaneous-sounding conductors in the recording studio, there appears never to have...
Reviewed by Richard Osborne in issue: 6/1997
Almost all the music on this latest record in The English Concert's Bach project falls into a transcription category. The...
Reviewed by Nicholas Anderson in issue: 1/1985
Some of the great representatives of the troubadour repertory receive forceful, indeed raucous interpretations, with deliberately uncultivated (some might say...
Reviewed by Fabrice Fitch in issue: 13/1999
The first compliment paid to originality, almost by reflex, is to be amazed that the thing has not been done...
Reviewed by John Steane in issue: 7/2000
The source of this performance is a privately made recording on acetates, so the ear of faith and tolerance of...
Reviewed by Alan Blyth in issue: 3/1999
Forget that originality was not Furtwangler's strong point as a composer. Forget the Third Symphony (Walter's Marco Polo recording of...
Reviewed by John Steane in issue: 7/1991
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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