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Review of Alwyn Miss Julie

Alwyn Miss Julie

It is good to have this superb recording of William Alwyn's colourful and confident adaptation of Strindberg's play on CD,...

Reviewed by Edward Greenfield in issue: 3/1993

Review of Zemlinsky: Florentinische Tragidie

Zemlinsky: Florentinische Tragidie

You could say that Eine Florentinische Tragodie ( ''A Florentine tragedy'') is a truer successor to Salome than anything Richard...

Reviewed by Michael Oliver in issue: 9/1985

Review of Puccini Madama Butterfly

Puccini Madama Butterfly

Perhaps the Editor should impose what the Industrial Relations people call a cooling-off period. Still feeling the impact of that...

Reviewed in issue 10/1987

Review of Lutoslawski Complete Piano Works; Songs; Dance Preludes; Epitaph

Lutoslawski Complete Piano Works; Songs; Dance Preludes; Epitaph

Piano music hardly forms a major part of Lutoslawski’s output, although the wartime Studies find a distinctive voice emerging, while...

Reviewed by kYlzrO1BaC7A in issue: 4/1999

Review of Bruckner A Centenary Tribute

Bruckner A Centenary Tribute

Since Eugen Jochum was always one of the most spontaneous-sounding conductors in the recording studio, there appears never to have...

Reviewed by Richard Osborne in issue: 6/1997

Review of Bach: Concerti

Bach: Concerti

Almost all the music on this latest record in The English Concert's Bach project falls into a transcription category. The...

Reviewed by Nicholas Anderson in issue: 1/1985

Review of (La) Primavera d'Amore - The Troubadours (12th-14th Century)

(La) Primavera d'Amore - The Troubadours (12th-14th Century)

Some of the great representatives of the troubadour repertory receive forceful, indeed raucous interpretations, with deliberately uncultivated (some might say...

Reviewed by Fabrice Fitch in issue: 13/1999

Review of Strauss, R Complete Orchestral Songs

Strauss, R Complete Orchestral Songs

The first compliment paid to originality, almost by reflex, is to be amazed that the thing has not been done...

Reviewed by John Steane in issue: 7/2000

Review of Mahler Das Lied von der Erde

Mahler Das Lied von der Erde

The source of this performance is a privately made recording on acetates, so the ear of faith and tolerance of...

Reviewed by Alan Blyth in issue: 3/1999

Review of Furtwängler: Symphony No.1

Furtwängler: Symphony No.1

Forget that originality was not Furtwangler's strong point as a composer. Forget the Third Symphony (Walter's Marco Polo recording of...

Reviewed by John Steane in issue: 7/1991


 

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