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Ingram Marshall Kingdom Come

First encounters are usually key encounters. This is mine with the music of Ingram Marshall. So let’s spill out the...

Reviewed in issue 11/2001

Fritz Kreisler Early Recordings

Let me declare this by far the best account of this music to date. Not only is Lindberg's own contribution...

Reviewed by John Duarte in issue: 9/1985

Handel Overtures (harpsichord)

It feels not so long ago that a disc of Handel overtures looked a likelier bet for a recording company...

Reviewed by Lindsay Kemp in issue: 9/2009

The Le Puy Manuscript

The Manuscrit du Puy opens a window upon the musical activities of the clergy of a great cathedral in central...

Reviewed by mberry in issue: 5/1993

The Spirits of England and France - II

For the first time since his debut of Hildegard (Hyperion, 7/85), Christopher Page offers a disc devoted to monophonic song....

Reviewed in issue 8/1995

Tango Malambo

A pianist of fluent and cleanly percussive technique, with a lively sense of colour that she displays in Guastavino’s elaborate...

Reviewed by Lionel Salter in issue: 11/1998

Kabalevsky Colas Breugnon

The overture to Colas Breugnon has been much recorded, among others by Toscanini. The opera itself remains known more by...

Reviewed by John Warrack in issue: 5/1993

Wolf Songs

It was the subtle, impassioned, often humorous verses of the Swabian pastor-poet Eduard Mörike that, early in 1888, released Wolf...

Reviewed by Richard Wigmore in issue: 2/2010

Paderewski Piano Works

It would be hard to imagine a more auspicious debut for Hyperion's series ''The Romantic Piano Concerto'' than Piers Lane's...

Reviewed by Bryce Morrison in issue: 2/1992

Flute Concertos of the Sans-Souci

It is a nice peg on which to hang a programme—that of music by an employer (Frederick the Great of...

Reviewed by John Duarte in issue: 2/1995

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