Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Keilberth's Freischutz was a classic in its day, and long held the field. Its memorable performances include Rudolf Schock's elegant...
Reviewed by John Warrack in issue: 9/1989
A 44-minute CD is not terribly good value for money. The rival recording of Zemlinsky's Lyric Symphony has a baritone...
Reviewed by Michael Oliver in issue: 6/1987
I can seldom see much point in issues of opera choruses, but as they appear with some regularity from different...
Reviewed by Alan Blyth in issue: 9/1985
Such is its power to inspire its interpreters, all performances of Elektra remain in the memory. Without referring to any...
Reviewed by Alan Blyth in issue: 12/1990
Le Jeune's reputation has worn longer than his music, at least until recently. The French ensemble Sagittarius make an excellent...
Reviewed in issue 4/1993
It was Malcolm Arnold's set of eight English Dances that in 1950-51 put him firmly on the musical map and...
Reviewed by Ivan March in issue: 10/1990
No doubt it depends on the degree of one’s commitment to these songs. Personally, I am theirs for life, having...
Reviewed in issue 13/1997
Grechaninov’s long life (1864-1956) covered much, from birth in Moscow and training with Rimsky-Korsakov to exile when he was already...
Reviewed by John Warrack in issue: 12/1997
The programme, featuring some of Strauss’s most advanced and interpretatively challenging Lieder, was set down in just three days in...
Reviewed by Mike Ashman in issue: 8/2007
The plain facts are these: after a majestic Prelude in the style of a French ouverture, comes a series of...
Reviewed by Marc Rochester in issue: 4/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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