Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I have already reviewed three new versions of the Franck Sonata this year, and have few reservations in placing this...
Reviewed in issue 9/1986
Pfitzner described his choral fantasy Das dunkle Reich (''The Dark Kingdom'', 1929) as ''a sort of literary mass for the...
Reviewed in issue 4/1995
This is a generous collection of sugar-plum works for violin and orchestra, played with uninhibited romanticism by the rich-toned Udagawa....
Reviewed by Edward Greenfield in issue: 3/1992
Only recently the first ever recording of Tomas Torrejon y Velasco’s opera La purpura de la rosa was produced by...
Reviewed by Tess Knighton in issue: 2/2001
Imagine the highly inflected, pianistically oriented and sectionalised Beethoven-playing one often heard from Soviet artists such as Maria Grinberg, Maria...
Reviewed by Jed Distler in issue: 6/2011
There have been a number of Guerrero anthologies over the past couple of years, most notably the Tallis Scholars’ customarily...
Reviewed by Fabrice Fitch in issue: 9/2007
Kowalski's great contention is that the male alto voice can be a passionate, dramatic instrument; and the present record, like...
Reviewed in issue 10/1992
The libretto of San Filippo Neri was written by the Venetian cardinal Pietro Ottoboni (a patron also of Corelli, Handel...
Reviewed by David Vickers in issue: 11/2010
Dutch phlegm, rather than Spanish fire or Russian fantasy, characterize these performances, efficient as they are. Zinman's Capriccio espagnol rarely...
Reviewed by Lionel Salter in issue: 6/1985
It is not before time that an excellent orchestra like the BBC Welsh Symphony should be heard on records. Since...
Reviewed in issue 9/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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